Posts Tagged ‘Pantser or Plotter’

Confessions of a Former Pantser

By: Margena Holmes

Can a Pantser Change Into a Plotter?

Like many writers, I often write with no outline, but by the seat of my pants—a “pantser” if you will. Plotting? Meh, who needs it. Planning? Ugh, that’s for wimps. I like to see where my characters want to go within the story, how they get out of any given situation, and what happens next. But sometimes—many times—I’m left trying to figure out just how the hell they got into that mess and how they’re going to get out of it. Help, I’ve written myself into a corner and can’t get out! I’ve had to implement that “What if” questions to get my characters back on track. It works, and I find a way to save my characters from certain doom, but it seems like an awful lot of work for one character. So, what’s a writer—a pantser—to do?

Keeping Things Straight

Lately, I lean more toward plotting my story, filling out every detail of my character, where my story wants to end up, and all the situations where my character(s) may end up. Why the change, you may ask? Well, I’m getting older and I’m finding that keeping everything straight in my head sometimes gets to be confusing. Was his name Rennick or Ronnick? What color was the vehicle? Why does my character love spaghetti here, but loathes it there? Not only that, my plots are becoming more complex as I move through my series, and I have many more ideas for future books. I need timelines for my characters as well as knowing what their home looks like.

Can a Pantser Change Into a Plotter?

It’s been fairly easy to convert into a plotter. For my latest book in my series, I became a “plantser,” a hybrid plotter/pantser. I planned out a few things, but also left some things to chance. Even then, however, I was running into issues. What side did my character get shot on? When did this happen? Who was where when it happened? I’m having to go back a few chapters to find these things out. I’ve started taking notes on my own writing to keep things straight. Some of these things may be trivial, but attentive readers will notice these small discrepancies and call you out on them.

Planning Can Be Flexible

For my next novel I will be planning/plotting every detail to keep things straight, and for my peace of mind. Just because I’ve planned it out doesn’t mean I have to follow it to the letter, though. Want to make the character go out with friends instead of with a date? If it works with your storyline, who’s to say you can’t change it a bit? You can still “fly by the seat of your pants” with minor details and see how your character responds to the change. You can always go back and stick with your original idea and keep those characters under control. They’ll be okay, I promise.

Margena Holmes

Margena Adams Holmes was born in Bellflower, CA sometime in the 1960s. She has always had a love for both reading and writing, writing her first song/poem in 1st grade. Margena is a big supporter of indie authors and will read anything that draws her into the story. She is an observer of life, and many everyday things could (and do!) end up in her writings. Her publications are available through her author page. Contact Margena via email:

Advice for Aspiring Authors – Insights for Interested Readers

by: Catherine Dilts

Today I offer a peek behind the curtain to the struggles and triumphs of writing. Here is my advice to aspiring authors, while readers may find it interesting to learn what goes into the creation of their favorite fiction.

Pantser or Plotter?

Remember the joy of writing, and why you started on this crazy journey.

Writers will ask whether you are a pantser or plotter. A pantser writes by the seat of his or her pants. Page one, blank screen – GO! A plotter creates an outline of the story before beginning. Many writers fall somewhere in between, doing some outlining, but not hesitating to depart from the outline if the story veers in a new direction. Which are you? It may take years of writing to decide. You may also discover that being a pantser works better for one story, while careful plotting is required for another. Experiment. 

Don’t Hurry

There may be anecdotes about people writing a best seller or classic in a weekend, or a matter of mere weeks. Good luck with that. My best work has taken time. Due to deadlines, that time is often compressed, but the work will not be cheated of the hours.

On that same note, don’t rush to get your work before agents, or push it prematurely into self-publication. After you have written “the end,” set your story aside. Days, a week or two, even a month will allow you a fresh perspective. 

Don’t Quit the Day Job

When I first became published, I joked that I’d be able to earn my living from writing on the day I retired. Sadly, this is probably going to be the truth. The economic reality of writing is harsh. Short story author R. T. Lawton has quite a bit to say on this topic in his article, While We’re At It

I’m not saying it can’t be done, but the majority of folks I know who are writing full time are retired, or are supported by a spouse. Be cautious before you leave that paying gig. A steady paycheck, health insurance, pension, and paid vacation are non-existent for the self-employed writer.

Learn the Business

As budding authors, we crave learning the art and craft of writing, but the business end? Not so much. How can you learn, besides reading books or blogs? Join a writing group attended by successful authors. By joining the Mystery Writers of America, I was fortunate to meet published authors who freely shared their experiences at local chapter meetings. Libraries may offer writing workshops, or can direct you to local writers’ groups. If you attend a conference, include sessions on the business aspects of writing.

I’m not talking strictly about the financial side of business, although learning the best method to track your income and expenses is important at tax time. You will need to know how to write a synopsis. (Hint – you can’t do much better than Pam McCutcheon’s how-to book, Writing the Fiction Synopsis.) Where to find agents representing your style of fiction? What is the proper etiquette when pitching to an editor at a conference? If you want a career writing, treat it like any other business, and educate yourself.

Renew the Joy

Writers can burn out, just as in any profession. I have heard complaints from the entire spectrum of writers, whether unpublished or multi-published. At some point, it becomes a job. Maybe even drudgery. You begin to hate your story, dread sitting in front of the computer, and doubt your sanity for thinking you had the talent to write fiction. Before you throw in the towel, ask yourself some questions.

  • Who is stopping you? A negative person in your life? Someone who needs your attention, whether a child, a boss, or an elderly parent? Yourself? Can you turn the negativity into motivation? “I’ll show them – I am a writer!” Find a way to balance the needs of people in your life with your own goals. If you’re not happy and healthy, how can you be a good parent, spouse, employee, caretaker?
  • Why did you begin writing in the first place? A book inspired you? Did you escape pain through reading, and want to give someone else that gift? Do you have fond memories of being read to, or reading in a favorite comfy place? Revisit your earliest motivation to be a writer. 
  • What did you have to say that was so important, you were willing to sacrifice other aspects of your life in order to hammer out words for hours on end? Is that message still valid? Your message, or theme, doesn’t have to be lofty. Distracting readers from their worries and problems with an entertaining story can be more valuable than any deep literary tome. 
  • That moment will return when suddenly the words flow. The scenes click together. The characters jump off the page. You become lost in your own story. You remember the joy of writing, and why you started on this crazy journey. 

You Can Do This

Even if you have to write in snatches of stolen time. Even if you have to battle doubts, whether from people around you, or yourself. A good deal of success in writing is mere persistence. That is a trait we can all nurture.

Catherine Dilts

Catherine Dilts is the author of the Rock Shop Mystery series, while her short stories appear regularly in Alfred Hitchcock Mystery Magazine. She takes a turn in the multi-author cozy mystery series Secrets of the Castleton Manor Library. Working in the world of hazardous substances regulation, Catherine’s stories often have environmental or factory-based themes. Others reflect her love of the Colorado mountains. The two worlds collide in her murder mystery Survive Or Die, where Deliverance meets The Office. You can learn more about Catherine’s fiction at Contact her at